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PRE-PRODUCTION & PLANSThe Script was just the fountainhead of a year long journey - filmmaking requires sacrifices, and Jake spent a good time on his knees at the altar. Jake worked for three years as an off-line editor before embarking on the shoot for Razor Blade Smile, his friends have mixed memories of his hand-to-mouth existence during this time, as Jake never bought a round! Help, as well as free
beer, came in many forms - especially via the excitement the script generated
by Robert Mercer at Beatnik Films, the first to get bitten. "Rob
was the first person I gave the script to, to gauge his opinion... I delivered
him the script on a rainy bleak Wednesday in Camden Town." Rob picks up the
story, "After Jake gave me the script, I had little time to read it that day
and guessed I would just let it sit around for a while. Later, I went to my Local
for a quiet drink and decided to dip into the first few pages. A Guinness and
two hours later, I finished the whole thing. Completely riveted and excited,
I immediately left a frenzied message on Jake's answer phone. Here was something
genuinely original." From that point on other miraculous
deals started dropping into place - Kodak supplied them with half the stock for
free and the rest at half price. Several production companies donated free left-over
stock. The costumes, some of the most outrageous on celluloid, were supplied
by fetish designers Murray and Vern, Velda Lauder and Ectomorph and jewelry from
the Kensington Market based Black Rose. Also, Will Jeffery at a Covent Garden
based production company, Maverick Media, not only wanted to invest, but let
us shoot a sequence in his office, "and
we're still great friends despite nearly burning down the place when a desk lamp
with a 500watt practical bulb ignited! We almost had the towering inferno there
for a moment!" |